Travelling for meetings
What a time to have moved away from Wellington! Have a couple of meetings scheduled? It’s no longer a scooter ride, now it’s a nine and a half hour overnight bus then a hire car to come back up. On the other hand, absence makes the heart grow and grow and grow, so when me and Simeon catch up it’s like seeing a long lost lover.
Things are really starting to heat up in the post production train. Simeon has been working on the visual effects in the film, in particular the climax sequence (which has 50% of the film’s effects). I’ve been having meetings with various producers and filmmakers about the current cut, finding out what works and what’s not quite hitting.
Here’s an awesome video about my latest trip down to Wellington:
The biggest issue with the film right now is the dense plot. Most people can tell what’s going on character-wise, but because it’s a twisty, turny time travel plot, some of the important plot points and clues are being missed, while others are obvious. It turns out we are gonna have to do some pickups. We’re scheduling them for early in the New Year.
Pickups means I’ll have to cut my hair and don the Dan costume again. Get back into the character. However, Michelle Ny now resides in Auckland, Nova is a year old and it’s noticeable, Shane Rangi is overseas, Cohen is busy as heck, which means the pickups will feature myself and possibly a new member of cast, or one of the supporting cast.
Chronesthesia got into Shanghai! We first got the email in February, 2017. I was in the South Island on a voluntary tour of primary schools for a charity organisation called Duffy Books in Homes. “Congratulations!” it started. “Chronesthesia has been selected for the 20th Annual Shanghai International Film Festival.” In the body of the […]Read More ›
We got an international sales agent! How ridiculous is that? Chronesthesia is now being represented internationally by WPE, operating out of the United States of America, selling around the world. As many territories as possible, as much money as possible, getting seen as far and wide as possible. Hold up – what’s […]Read More ›
To play in cinemas Completing a feature film under the age of thirty. That made me feel pretty damn good. Sometimes I wake up and remember it, in the same way that you often wake up and remember it’s a Saturday, and I feel fuzzy. And warm. And inspired to do more. But […]Read More ›
PREMIERE! It’s been a long road and a lot of work. Chronesthesia played to a sold out cinema audience as part of the New Zealand International Film Festival on Friday 29th July 2016. The positive response and reviews we’ve been receiving have made every single minute of hard work on the film worth it. […]Read More ›
Finished? Yes, completely finished. Visual effects: check. Colour grading: check. Sound: check. Score: check. Weird, weird feeling. Early last week I took the final finished film into a cinema and tested it all the way through. It was a great experience watching what we made out of nothing. A year ago we […]Read More ›
CHRONO HAS A PREMIERE!! Big news dropped today. Chronesthesia has a premiere. It’s playing for the first time in the world in the city is was shot in – Wellington, New Zealand. We are stoked to be screening on the big screen, obviously, and Wellington at the NZIFF (New Zealand International Film Festival) […]Read More ›
Deadline: 5 weeks! That is how long we have to finish the film. That’s not a lot of time. I was under the impression our premiere was our deadline, but of course that’s not the case! There’s mixing and DCP making and testing and ingesting and censorship boards and ratings to do… […]Read More ›
New Team Members? As we progress from the editing stage through to the REAL POST PRODUCTION world of colour, visual effects, sound, music, marketing and promo, we need more people. More power. More genius. Which leads us to these new team members: Welcome to our new producers Kelly Kilgour and Steve Barr. Welcome […]Read More ›